Heartattack and Vine is a album by Tom Waits, his seventh album since his debut Closing Time in , and his final album to be released on the Asylum label. "On the Nickel" was recorded for the Ralph Waite film of the same name."Heartattack and Vine" was covered by Screamin' Jay sioxamanaconpo.klepenpomavasbulirestopktendpope.co this version was used without Waits' permission in a Levi's commercial, for which Waits took Producer: Bones Howe.

Heartattack And Vine Bass – Larry Taylor Drums – "Big John" Thomassie* Tenor Saxophone, Baritone Saxophone – Plas Johnson Vocals, Rhythm Guitar [Electric] – Tom Waits: 2: In Shades Bass – Larry Taylor Drums – "Big John" Thomassie* Lead Guitar [Electric] – Roland Bautista Organ [Hammond] – Ronnie Barron Rhythm Guitar.

Label: Asylum Records - AS ,Asylum Records - 6E,Asylum Records - K • Format: Vinyl LP, Album, Repress, Stereo • Country: Europe • Genre: Rock • Style: Blues Rock, Indie Rock Tom Waits - Heartattack And Vine (, Vinyl) | Discogs/5().

Jun 16,  · Heartattack and Vine is Tom Waits' seventh and final album for Asylum. As such, it's transitional. As demonstrated by its immediate predecessors, 's excellent Blue Valentine and 's Foreign Affairs, he was already messing with off-kilter rhythms even in the most conventionally structured blues and jazz songs, with nastier-sounding guitars -- he plays a particularly gnarly style of.

In any case, if "Heartattack and Vine" surprised some fans at the time, then "Swordfishtrombones" must have made them absolutely implode. Regardless of its status within Waits' oeuvre, "Heartattack" remains a strong volume in the evolution that made Tom Waits into the writer and performer we know now. Lets hope he keeps going/5().

Waits' first seven albums on Asylum have been remastered and will be re-released via Anti-Records. Released in , Heartattack and Vine was Waits' final album on Elektra Asylum and it built on the raw blues approach of Blue Valentine with the incendiary title track, the funky, organ driven "Downtown" and the stomping NOLA blues of "Mr. Siegal."/5(99).

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